Legacy Recordings Commemorates Harry Belafonte’s 2022 Rock And Roll Hall Of Fame
Induction with Audiophile Repressings of Two Classic Albums
Belafonte At Carnegie Hall and Belafonte Sings The Blues Available on 200-Gram
Vinyl and SACD via Acoustic Sounds
Harry Belafonte has been breaking records and breaking down barriers since his unparalleled career began in the 1950s. His tremendous legacy as a musician, activist and actor is being celebrated on November 5th, 2022, when Belafonte will be honored with the Early Influence Award at the Rock and Roll Hall of Fame Induction Ceremony in Los Angeles. To commemorate the honor, Legacy Recordings, the catalog division of Sony Music Entertainment is repressing two of Belafonte’s most influential and enduring albums, Belafonte Sings the Blues (1958) and Belafonte at Carnegie Hall (1959), in partnership with audiophile label Acoustic Sounds. Both titles were mastered by Ryan K. Smith at Sterling Sound and available now HERE. Belafonte Sings the Blues will be released on 200-gram 33RPM vinyl and on SACD. Belafonte at Carnegie Hall will be released as a 200-gram 33RPM double-LP and a special 200-gram 45RPM five-LP boxed set. All vinyl for both titles were pressed at Quality Record Pressings.
In a statement, Belafonte added: “Thank you, Rock & Roll Hall of Fame, for honoring me with this induction. It’s always a thrill to know the music I presented to the world so many years ago still resonates to this day.”
Belafonte has done for civil rights through music what his late confidante, friend, and supporter Martin Luther King, Jr. prodigiously achieved through thought leadership and protest. Known for his lyrical baritone and emotive sound, Belafonte redefined black culture as he introduced many Americans to it, while using his art as an instrument of social change on a global scale.
Belafonte Sings the Blues and Belafonte at Carnegie Hall are both widely celebrated for Belafonte’s vocal performances and the benchmark audio quality of the recordings. A rarity for the time, Carnegie Hall was one of the first popular live concert albums to be released. It stayed on the charts for over three years, and was nominated for Album of the Year at the 1959 GRAMMY Awards. Deemed “the granddaddy of all live albums” by AllMusic, it was released as a double LP and featured a 47-piece orchestra. AllMusic continues, “for sheer scope and genius of performance, this is the quintessential Belafonte package.”
A personal favorite of Belafonte’s, Blues was his first album to be recorded in stereo, and found him interpreting the works of Ray Charles (including “A Fool For You” and “Mary Ann”), Billie Holiday’s “God Bless The Child,” C.C. Carter’s “Cotton Fields” and others with an unrivaled charisma and vocal dexterity that helped establish him as one of the great performers of our time.
Harry Belafonte bio:
Drawing from several musical traditions, Harry Belafonte’s lyrical baritone and emotive singing connected Americans to Black world culture. Singer, actor, producer, activist, and ally, Belafonte used the arts as a mechanism to effect social change on a global scale.
Belafonte was born in Harlem in 1927 to multiethnic parents from the Caribbean. As a child, he moved to his mother’s native Kingston, Jamaica – “an environment that sang” – where he was exposed to the captivating music of calypso as well as prejudice based on his skin tone. Back in New York, Belafonte began acting classes at the New School’s Dramatic Workshop in 1945, where he befriended actor-singer-activist Paul Robeson, the inspiration for Belafonte’s social activism. Swept up in the New York folk scene in 1950, Belafonte created a new repertoire of folk songs, work songs, and calypsos, providing an authentic and dignified look at Black life and earning him a contract with RCA Victor in 1953.
In 1955, Belafonte met Irving Burgie (aka Lord Burgess), whose songwriting on Belafonte’s debut album would forever change Belafonte’s career. The first album to sell over a million copies in a year, Calypso (1956) introduced Caribbean folk music to American audiences, who dubbed Belafonte the King of Calypso. This early sound made a lasting impact on American music – Gotye, Lil’ Wayne, and Jason Derulo have all sampled “Day-O (The Banana Boat Song)” in recent years, while “Jump in the Line (Shake, Senora)” was featured in the 1988 film Beetlejuice and its 2019 Broadway musical production.
In the 1960s, Belafonte returned to his musical roots in American folk, jazz, and standards, while also emerging as a strong voice for the civil rights movement. Belafonte was a close confidante, friend, and supporter of Martin Luther King, Jr. He helped organize “We Are the World” and has been a UNICEF Goodwill Ambassador since 1987. He was a Grand Marshal for the 2013 New York City Pride Parade and advised on the 2017 Women’s March on Washington.
At the age of 95, Belafonte has epitomized the life of a world citizen, living by a single truth: “Get them to sing your song, and they will want to know who you are, and if they’ve made that first step, we can find a solution to hate.”