Son Volt

Genre: Rock/Pop | 0 comments

Okemah And The Melody Of Riot (Dual Disc) (DualDisc Longplay)

Okemah And The Melody Of Riot (Dual Disc) (DualDisc Longplay)

Release Date:
UPC Code: 827969474327
Label:
Number of Discs: 1
Close

Post Your Review

  • Allowed HTML tags: <em> <strong> <cite> <code> <ul> <ol> <li> <dl> <dt> <dd> <p> <br>
  • Lines and paragraphs break automatically.
  • Filtered words will be replaced with the filtered version of the word.

More information about formatting options

Description

While there was never much question that Jay Farrar was the guiding light behind Son Volt, he's managed to extinguish any lingering doubts about that issue with Okemah and the Melody of Riot, his first album under the Son Volt handle since 1998's ... more While there was never much question that Jay Farrar was the guiding light behind Son Volt, he's managed to extinguish any lingering doubts about that issue with Okemah and the Melody of Riot, his first album under the Son Volt handle since 1998's Wide Swing Tremolo. While Okemah sure sounds and feels like a Son Volt album; as it happens, Farrar is the only musician in the band's new lineup who had ever played with Son Volt before, which for good or ill firmly establishes him as the sole architect of the group's musical approach. While it's anyone's guess why Farrar turned from his solo career back to the Son Volt format (especially since it's obvious Farrar is the man in charge under either circumstance), whatever the billing, the results are impressive -- Okemah and the Melody of Riot is a compelling, strongly focused work that stands as Farrar's best music since Son Volt's debut album, 1994's Trace. While Farrar's songwriting is still in his usual enigmatic mode on Okemah, there is a noticeably stronger lyrical focus here, especially on the (apparently) anti-Bush screeds "Jet Pilot" and "Ipecac" and the rabble-rousing opening cut, "Bandages and Scars"; Farrar obviously has something to say about the state of post-millennial America, and if the letter of the message is vague, the passion of his delivery speaks volumes. And while Farrar's solo albums had an unfortunate habit of meandering, Okemah thankfully sounds muscular and driven, with Farrar and Brad Rice bringing a healthy share of guitar firepower to the songs, and bassist Andrew DuPlantis and drummer Dave Bryson charging the songs with lean but sinewy force. If much of Jay Farrar's music since the breakup of Uncle Tupelo sounds like the work of a man looking for a fresh direction and a true sound, Okemah and the Melody of Riot finds him with a firm grasp of his talent and a fresh reserve of conviction; it's a bracing and welcome return to form for an important artist. (Okemah and the Melody of Riot has been released in a special "DualDisc" edition, with a DVD side fused to the audio CD. The DVD side features an EPK-style documentary, "Break Through the Lens," which features interviews with Farrar, video footage from the webcast recording sessions for the album, and live performances from the new Son Volt, including one otherwise unreleased new song, "Joe Citizen Blues." The full album also appears in enhanced audio on the DVD side, accompanied by a lyric display.) ~ Mark Deming, All Music Guide

Tracks

TrackTitleDuration
1Bandages & Scars3:19
2Afterglow 612:48
3Jet Pilot3:12
4Atmosphere3:50
5Ipecac3:29
6Who4:02
7Endless War4:25
8Medication5:00
96 String Belief3:16
10Gramophone3:08
11Chaos Streams3:52
12World Waits For You4:08
13World Waits For You (Reprise)1:57
140:01
150:01
160:01
170:01
180:01
190:01
200:01
210:01
220:01
230:01
240:01
250:01
260:01

Reviews

or Register to post a review.