When I Fall In Love
Trumpeter Chris Botti drops the synthesizers and drum loops of his previous effort, Thousand Kisses Deep for a more elegant and traditional sound on When I Fall in Love While Thousand Kisses Deep maximized Botti s penchant for mixing perfect pop songs with his Miles Davis influenced jazz style, it nonetheless featured many of the electronic and processed sounds predictable on modern smooth jazz releases. By eschewing such "go to" pop jazz production techniques as drum machines and synthesized strings in favor of the real instruments here, Botti ironically sounds utterly groundbreaking on what is ultimately a straight-ahead orchestral jazz album. While nowhere near as improvisationally adventurous as its predecessors, When I Fall in Love is still a revelation in the tradition of Sketches of Spain Clifford Brown With Strings and Wynton Marsalis Hot House Flowers Mixing standards and contemporary pop tunes all in a straight-ahead style, Botti gives his minimalist Miles-ian horn sound a chance to breath and be enjoyed on its own. Boldly, Botti swings here with a big band on "Let's Fall in Love," and after years of guessing that he would sound great on a standard ballad you get to enjoy the proof as he sighs and coos his way through "My Romance" with a plaintive tone perfectly counterbalanced by full string orchestra. But it's not just the standards that impress; he turns the Sade classic "No Ordinary Love" into a moody and atmospheric paean that wouldn't sound out of place on Kind of Blue Similarly, Sting s "La Belle Dame Sans Regrets" -- featuring the ex-Police frontman -- brilliantly combines hardcore jazz improvisation on a radio-friendly modern Latin ballad Botti should also be commended for choosing a stellar group of backing musicians including the underappreciated pianist Billy Childs who adds his stylish touch on both acoustic piano and Fender Rhodes. While Botti has broken new ground in the smooth jazz genre in the past, his rediscovery of his jazz roots makes When I Fall in Love the album he has been threatening to make his whole career. ~ Matt Collar, All Music Guide Buy at iTunes
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Credits »
Jeremy Lubbock - Arranger
Isobel Griffiths - Orchestra Contractor
Doug Sax - Mastering
Elliot Scheiner - Engineer
Rolf Wilson - Leader
Jill Gifford - Design Assistant
Brian Montgomery - Assistant Engineer
Brian Montgomery - Digital Editing
Robert Hadley - Mastering
Chris Barrett - Assistant Engineer
Chris Barrett - Digital Editing
Mike Anthony - Vocal Arrangement
Steve Genewick - Assistant Engineer
Steve Genewick - Digital Editing
Mary Maurer - Art Direction
Haydn Bendall - Engineer
Jeff Lorber - Engineer
Jeff Lorber - Producer
Jeff Lorber - Arranger
Brian Bromberg - Producer
Brian Bromberg - Arranger
Fabrizio Ferri - Photography
Kenneth Sillito - Leader
Mark Schulman - Arranger
Al Schmitt - Mixing
Al Schmitt - Engineer
The London Session Orchestra - Orchestra
Roger Garland - Leader
Bobby Colomby - Producer
Bobby Colomby - Arranger
Gil Goldstein - Orchestral Arrangements
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